#and by writers who were having FUN and it shows

[aquamarixx]

breaking the internet

chapter eight when some clout chaser claims to be the mystery girl in the photo, Hiori shuts down the rumors and teases about the girl who truly has his heart blue lock longfic series pairing hiori yo x reader contains fluff, post blue lock timeskip, afab!reader masterlist

The speculations about Hiori’s mystery girl are definitely one of the highlights of his career.

Ironically, he finds it funny how people react to it. He’s already been scolded by both the team manager and the marketing manager, each lecturing him about how careless he’s been. It’s not like there’s anything inherently wrong with dating, especially as an athlete. Though it seems like he was scolded for not giving them a heads up and keeping it a secret. 

His parents, on the other hand, are pretty much predictable. His dad stays quiet about these sorts of things, but his mom? She makes it a huge deal. Despite their issues, she still showers him with love and attention in her own overbearing, only-child-parent way. She’s adamant that he’s been hiding the girl from her because he’s embarrassed or something.

Not to mention, his friends and teammates. His Bastard Munchen teammates—not exactly the epitome of calm, cool and connectedness as how they would look.

The moment he arrived into a field for training, Isagi sprints at him at high speed, like golden retriever finally seeing its best friend. Igaguri and Raichi moan about how unfair it is for Hiori to get a girlfriend before them. The older members, Geisner, Bachs and even Ndiaye praised him as if he scored a goal.

Even Noa himself gives him an approving nod, “at least we know you’re normal-er than the rest of these football heads.”

Again, a wild reaction from everyone.

Sure, he’s not the only eligible bachelor in the field, nay, in his team who have been elusive or secretive about their relationships. But sports gossip writers love to eat up news like this. Like vultures circling around a carcass, the media (even fans) are waiting to pounce on him any moment. 

“Who’s the girl you were caught kissing at the JFA party?”

“Do you finally have a girlfriend?”

“Is your girlfriend a celebrity?”

It’s the same old question every single time. And for Hiori, it gets tiring. He should be answering questions about the game, the team’s performance and plans ahead this season. People are too hung up on who’s his “flavor of the month”, as if he’s Oliver freaking Aiku.

But he knows how to play the game. It’s just like playing a visual novel. His answers already predetermined, all of them would either deflect or shut down the whole topic all together. 

“I have no idea what yer talkin’ about.”

“Are ya sure that’s me? Doesn’t look like me?”

“Looks edited though, don’tcha think?”

Like he promised you, he won’t disclose anything to the media or anyone else. Not that he’s the type to kiss and tell. But he won’t confirm or deny it either. He finds it fun to watch people squirm, teetering on the edge of curiosity and frustration. 

Plus, he values his privacy. That’s how it’s always been, and it’s how it always will be. 

Still, beneath his calm demeanor, Hiori worries he might fumble this. He likes you—really likes you. Enough to avoid making mistakes that might scare you off.

Fine, he likes you a lot. More than he thinks you even realize. 

In the months before you started dating, he found himself looking forward to every conversation with you, whether it was online or during work. He’d take whatever crumbs he could get, so to speak.

That’s why he got so frustrated when you started showing up way less for interviews. He understood it was just part of your job, something entirely out of his control. But when you got reassigned to other teams, it did threaten him. 

You were a natural at what you did—fun, easygoing, and effortlessly charming. No wonder he felt at ease with you from the get go. So it was just a matter of time till others saw you the way he did. 

Athletes like them are human after all. 

When Nagi—and, surprisingly, Reo—tried to squeeze into the picture, that did it for him. He hated how it felt, the simmering jealousy that crept in every time he saw them be all chummy with you. No amount of goals scored against Manshine City could ease the sinking feeling of losing you to one of them. Or, worse, both of them.

Hiori never thought of himself as the jealous type. But now he knows better. He despises the feeling. The tightness in his chest, the restless nights replaying imagined scenarios. Yet, there’s also a quiet satisfaction now. You chose him. 

Not publicly known, not splashed across headlines. But still, you’re his. If he gets jealous, he knows he’s not overreacting.

“I know who she is!” Isagi sing-songs, jogging over to the bench.

Hiori offers him a water bottle, cocking an eyebrow. “Whatcha mean?”

Isagi displays a shit eating grin, practically glowing with mischief. “I know who the girl is. Ness knows, too.”

Ness, approaching from behind, offers a polite smile—a polite smile that makes Hiori’s stomach drop.

“Nah, ya don’t,” Hiori says, chuckling nervously.

“We do,” Isagi insists.

“Ya don’t,” Hiori repeats.

“Well, we do,” Ness interjects smoothly. “Reo told us about how you cockblocked him and Nagi at the party.”

Hiori freezes, sweat beading on his forehead. “What?”

“You guys weren’t exactly subtle when you bailed,” Isagi adds, his shit-eating grin growing wider. “Miss Journalist seems to be really into y—what the hell, Hiori!”

A towel smacks Isagi square in the face. “Shaddap!” Hiori hisses, putting a finger to his lips.

Ness snickers, and Isagi pulls the towel off, laughing. “Alright, fine, ya got me. But can ya two keep it down? We just started dating,” Hiori mutters, massaging his temples.

“Relax, I’m not gonna spill,” Ness says with a wave of his hand but he gives a small smile, amused by Hiori’s reactions.

“Gotcha,” Isagi says, mock-saluting. “But, man, I didn’t know you had that kind of ‘HioRizz.’”

Hiori groans, glaring at Isagi. “I swear to God, if ya don’t shut up, I’ll leave ya out of every pass next game.”

Ness bursts out laughing. “Don’t worry, Isagi. I’ll pass to you.”

“Hiori has more rizz than Yukimiya! I should take notes!” Isagi jokes, only for Hiori to smack him on the arm before chasing him down the field.

Despite the chaos, Hiori can’t help but feel a warm sense of pride. These guys might be loud and annoying, but they’re also the ones he trusts most. And in a way, it feels nice to share this secret with them—a small piece of his happiness.

Because you’re his. And he’s yours. And to Hiori, that means everything.

“So… you’re telling me this is you?” Your roommate, Miko, thrusts her phone in your direction, her finger pointing dramatically at the paparazzi photo of you and Hiori plastered on her screen.

It’s only been a week since the photo started making rounds online, but you’ve been caught staring at it one too many times by Miko, your eagle-eyed, ever-curious roommate. Today, you finally caved. The whirlwind of emotions bubbling inside was too much to handle alone.

And now, you just had to tell her because things are driving you crazy at this point. 

“Yup.” The two of you are sitting side by side on the couch. She grills you with her own paparazzi-like questions while you sink in further the couch, the unfinished article on the laptop you’ve been drafting long forgotten at this point.

Miko squints at you, her head tilting as she studies the image like a detective analyzing evidence. Her brow furrows, and then, as if struck by a sudden epiphany, she gasps.

She springs up from her seat, pointing at your face accusingly. “Aha! Is this the guy you—" she gestures vaguely but suggestively with her hand, “—you know, slept with after that work party?”

“Yes, it’s him. No, we didn’t ‘sleep’ together.” You can’t help but laugh as you swat her finger away. “We shared the same bed, yes. But nothing happened.”

Miko raises an incredulous eyebrow. “Sure, sure. A pretty girl like you, and he didn’t try anything? In this economy?” She blows a dramatic raspberry and plops back against the couch, clearly unimpressed.

Your cheeks burn, recounting the night you spent with Hiori. It was intimate—sweet and wholesome in a way that still made your chest flutter when you thought about it. The kisses, his touches. It only makes you yearn for it more.

The morning after was even better. You spending a whole Saturday with him was like magic. 

She idly giggles to herself as she scrolls more on her phone, probably to stalk Hiori. The girl is chronically online so her stalking (research skills as she calls it) skills are on par with yours. She could be a damn good journalist if she wants to. 

“You’re such a perv, Miko,” you say, swatting her with a throw pillow.

“Says the girl who drools on this guy's sweaty photos,” she shoots back, laughing as she scrolls furiously on her phone. “Wait a minute—oh, damn. This guy’s a big deal. National team and Bastard München? He’s a whole package!”

You glance over her shoulder, smiling despite yourself. At 26, Hiori’s resume is nothing short of legendary. Back when you were just another journalist in the crowd, you’d been blown away by his talent. It was his brilliance on the field that inspired you to write that first viral article—the one that caught his eye.

Even now, it feels surreal. How did you go from admiring him from afar to… this?

“And you’re okay with not going public?” Miko asks, her tone softer this time. Her eyes flick briefly to you, filled with concern. She’s seen you through your fair share of bad relationships—flings that went nowhere and heartbreaks that left their marks.

“Yeah,” you answer, though there’s a hesitation in your voice. “Honestly, I’m kind of relieved. I don’t even want to imagine how people would react if they knew I was just… me. An ordinary nobody.”

Miko slams her phone down dramatically. “First of all, you’re not a nobody. You’re the girl who single-handedly brought Bastard München back into the spotlight. You’re the one who made everyone see their worth when they were tanking. You’re that bitch.”

You can’t help but laugh at her enthusiasm, leaning into the side hug she gives you.

“But seriously,” you admit, letting out a long sigh, “it feels unreal. Like… we’re from completely different worlds. If this got out, I don’t think I’d be ready for the fallout. People would rip me apart.”

Miko frowns but says nothing, letting you pass her your phone. Together, you scroll through the endless speculation about Hiori’s mystery girl. Post after post describes someone glamorous and unattainable—completely unlike you.

“That’s ridiculous,” Miko says, her voice dripping with disdain. But before you can reply, she suddenly gasps so loudly that you nearly drop your phone.

“What now?” you ask, startled.

She shoves her phone into your hands, her eyes wide with a mixture of disbelief and fury. On the screen is a video of a rising sports influencer, her perfectly curated appearance making her look every bit the part of someone destined for the spotlight.

The interviewer’s voice is casual, almost playful. “So, you attended the recent JFA party?”

The influencer smiles coyly, a soft, practiced laugh escaping her lips. “Oh, of course. I was there.”

You can feel the tension building as the interviewer leans in slightly, their tone dropping to something conspiratorial. “And… given your connections to Bastard München and your shared sponsor, you must know Hiori Yo?”

The influencer’s eyes sparkle, and she lets out a delighted giggle. “Well, who doesn’t know Hiori? He’s incredible—on and off the field.”

Pfft. As if she knows anything about Hiori and his brilliance.

“So… are you the girl Hiori Yo was caught kissing that night?” Your stomach twists as the interviewer delivers the bombshell, their voice taking on an almost teasing quality.

The influencer doesn’t answer immediately. Instead, she tucks a strand of hair behind her ear, her fingers lingering as if to draw attention to the gesture. Then she twirls a lock of hair, her eyes flitting away from the camera for just a moment before returning with a mischievous glint.

“Well… isn’t that for everyone to wonder?” she says, her lips curving into a playful smirk. The answer is deliberately vague, but the mischievous glint in her eyes speaks volumes, leaving just enough room for everyone’s imagination to run wild.

Miko explodes. “The audacity!” she practically shouts, throwing her hands in the air. “What is wrong with her? She’s milking this for clout! And the interviewer—ugh!”

You can’t even respond. Your gaze is glued to the screen, your chest tightening with every second of the video. The influencer’s words replay in your head, her casual demeanor and sly smile feeding into the storm of doubts you’ve tried so hard to suppress.

Miko’s rant continues unabated. “She didn’t even deny it! She knows exactly what she’s doing. God, people like her make me so mad.” She paces the room, her gestures wild and exaggerated, but you barely register her words.

Your stomach churns as you scroll through the comments beneath the video.

she’s stunning—definitely Hiori’s type. this makes so much sense they’d look so good together

Each comment feels like a jab, their assumptions cutting deeper than you thought possible. The image of you and Hiori, so ordinary and imperfect in comparison, flashes in your mind.

You glance down at yourself: wearing your favorite but worn-out pajamas, the fabric soft from too many washes. Your hair is in a messy bun, a few strands rebelliously sticking out. You’re comfortable, sure, but the reflection from the phone staring back feels painfully ordinary.

The woman in the video, with her flawless hair and perfectly styled outfit, radiates a charisma that seems effortless. She looks like someone who commands attention the moment she steps into a room, someone whose beauty turns heads without trying. 

Normally, you wouldn’t care about looking “normal.” Most days, you’re content in your own skin, finding beauty in your own way. But this? This moment makes you feel like just another face in the crowd. No striking features, no captivating allure. Just plain, unremarkable. And right now, “normal” feels less like a badge of self-acceptance and more like a curse.

Miko stops mid-rant when she notices the look on your face. “Hey, don’t let this get to you,” she says, her voice softening. She sits back down beside you, placing a comforting hand on your shoulder. “People love drama, and she’s giving it to them.”

“But what if people believe her?” you ask quietly, the vulnerability in your voice startling even yourself. “What if they think she’s better for him?”

She shakes her head firmly. “You can’t let strangers decide what’s best for him or for you. Hiori chose you, not some influencer fishing for likes. That says more than any of this nonsense ever could.”

You nod slowly, though the unease lingers. Deep down, you know she’s right. But as you hand her phone back, the thought persists: How long before the world finds out—and what happens when they do?

You spend the next weekend with Hiori at his apartment. Again. 

This routine has become a comforting tradition. Every Friday after work, you and Hiori grab dinner, sharing stories about your day. By the time the last train rolls in, you’re on your way to his apartment, lugging a slightly larger backpack than usual. Inside are the essentials: a change of clothes, skincare, and personal items, neatly packed alongside your work things.

It’s mundane yet romantic, this little ritual you’ve built together. Friday nights are reserved for catching up, sharing laughter, and exchanging updates about work and personal lives.

During one of these chats, he casually mentioned that Isagi and Ness know about the two of you now. You shared that Miko, your closest friend and roommate, knows too. But you couldn’t bring yourself to tell him about the video. Not yet.

That Friday night, you binge-watch movies. This time, some of his favorites, including SPEC. It’s endearing to see him so animated as he talks about what he loves, his passion stretching beyond football.

Curled up on the couch together, a blanket draped over you, everything feels natural. His arm rests over your shoulders, pulling you close as you melt into his side. Occasionally, he leans in to kiss you—your knuckles, your cheek, the top of your head—absentmindedly, his eyes never leaving the screen. The faint scent of his body wash lingers in the air, grounding you in this moment, so intimate yet exhilarating.

By the time the third movie ends, you’re both ready to tuck in for the night. As you drift off in his arms, the comfort and warmth feel whole, complete.

You always wake up earlier than him. It’s a small, heartwarming detail you love about these mornings. He even got you your own coffee mug. A matching set of Nier Automata ones for both of you. With coffee in hand, you lounge in the living room, flipping through a book while the quiet hum of his apartment surrounds you.

Later, you make brunch together, settling into the kind of domesticity that makes your heart flutter. Saturdays with Hiori are always this way—unhurried and easy. You both slip into a rhythm that feels like second nature, each finding comfort in the other's presence.

When he’s gaming on his PC, you’re nearby doing some light work on your laptop, occasionally glancing up to watch his focus. When he switches to his PS5, you curl up beside him on the couch, yapping about the book or manga you’re reading as your fingers absentmindedly play with his hair. He listens quietly, humming in acknowledgment now and then, his contentment reflected in the small smile that lingers on his face.

It’s the kind of quiet companionship that makes everything feel right—as if the two of you were meant to exist in this peaceful harmony.

But this time, something disrupts the vibe.

Standing by the sink, phone in hand, your brow furrows as the video plays again. It’s the same one. The influencer, the coy smile, the teasing comments. You try to push it aside, but the weight of it lingers.

“Hey, you okay?” Hiori’s voice startles you. He’s slipped behind you, his hands resting gently on your waist as he presses a kiss to the top of your head.

“God, Hiori, you scared me!” You fumble with your phone, but instead of turning it off, the volume spikes, making you jump. Flustered, you quickly lower it.

“What was that?” he asks, noticing the unease in your expression.

You hesitate but eventually lead him to the couch, where you show him the video. As he watches, you fidget, your fingers twisting nervously in your lap.

“I just… it’s been bothering me,” you admit finally, your voice trembling. “Even though we’ve been dating for a few weeks now, I can’t shake this feeling that our worlds are too different. It’s pathetic that I let it bother me.”

Before he can respond, you continue, a weak laugh escaping you. “I know we’ve talked about this, but… it just gets to me sometimes.”

Hiori pauses, then gently pulls you into his arms. “Hey, s’fine. I understand. Don’t worry about them, ‘kay?” His voice is soft but steady, grounding you.

You feel his sincerity, but the nagging fear remains. “I don’t want to scare you with these feelings,” you confess, your voice barely above a whisper.

“And I wantcha ya to know ya won’t scare me. Ever.” He tilts your chin up, meeting your eyes. “Is there anything I can do to help ease yer mind?”

You shake your head, smiling faintly. “Just this… spending time with you like this, it’s enough for me.” But then, gathering your courage, you add, “Actually… I was wondering if I could take you out. On a proper date. Something special. Just the two of us.”

His eyes widen slightly in surprise, but his smile grows almost immediately. “You’re asking me out, huh?” He chuckles, leaning in to kiss on the lips. “Of course. I can’t wait to see what you’ve got planned.”

And for the first time in days, the weight in your chest feels a little lighter.

When midweek rolls in, you know you'll be too preoccupied since it always comes with an avalanche of tasks, and today is no different.

You're neck-deep in work, juggling content planning for upcoming videos and articles while checking in with interns you’re supervising. They're compiling research on volleyball, basketball, and surprisingly, esports, which they’ve informed you is “the next big thing.”

You slump back in your chair, fingers aching from typing, and let out a long exhale. Cracking your knuckles, you reach for your coffee, savoring the warmth as it spreads through you. It’s moments like this when caffeine feels less like a drink and more like a lifeline for your overworked soul.

Your phone buzzes on the desk, lighting up with a notification. It’s a message from Hiori.

Oooh, a Hiori pick-me-up, you think, already feeling a smile creep onto your face. Just what you need to get through this impending burnout.

The message is short:

hiori: watch fer a surprise

Attached is a link. Intrigued, you click it, and a video opens.

It’s a recent press interview featuring Hiori. He looks effortlessly charming in a black hoodie, his hair perfectly tousled in that way that reminds you of lazy weekends spent curled up on his couch. You remember him mentioning this event last weekend, but seeing him on screen still catches you off guard.

The interviewer’s question catches your attention: “So, Hiori, there’s been a lot of buzz about you and a certain sports influencer lately. Any truth to those rumors?”

Your chest tightens slightly at the mention.

Hiori tilts his head, his expression as calm and composed as ever. “Sorry, who?” he replies, his tone laced with subtle mischief. “Oh, you mean the one who has the same sponsor with our team?”

Ness, seated beside him, nudges him gently, a silent reminder to tread carefully.

The interviewer presses on. “Yes. Rumors are that she's the mystery girl you're dating. Is she?”

Hiori chuckles lightly, dismissing the question with his usual nonchalance. “Nope, not at all. We’ve never even talked to each other.”

And then, just when you think he’s moved on, he adds, “Besides, I like my girl who’s a little nerdy, enjoys the same things I do outside of football, and, oh yeah—she talks a lot.”

Your breath catches.

The comments section beneath the video is already buzzing. Fans are losing it over his indirect confirmation of the photo rumors.

did he just confirm he's taken? he’s confirming without really confirming it! whoever the mystery girl is, she’s lucky af. i will crawl in a hole and cry

But you’re not focused on them.

Hiori’s words replay in your mind, each one feeling like it was chosen just for you. He didn’t name names, but the teasing specificity left no doubt in your heart. This was his way of sharing a piece of his life with the world—without giving too much away.

Your shoulders relax as the video ends, warmth spreading through you.

Another message pops up on your screen.

hiori: would you mind writing an article about how yer favorite football player, Hiori Yo, is no longer single? hiori: also, I can’t wait to see where yer taking me fer our date. 😉

You can’t help but laugh softly, shaking your head at his playful tone.

Oh, this man.

The stress of the day doesn’t feel so heavy anymore. With Hiori’s teasing yet heartfelt reminder of how much you mean to him, you feel ready to take on whatever comes next.

amari's notes: i just finished writing this last night, sorry it took so long! i got sick for some reason and still recovering from it. made the bf read this and pointed out that journalist is not my self-insert, the roommate is my self-insert. she is so me lol. also, happy new year to all my hiori loving people! anw, I’d love to hear your thoughts, so feel free to leave a reply or drop an ask. i'll greatly appreciate it! Hope you all enjoy this chapter! ⸜(｡˃ ᵕ ˂ )⸝♡ (if you wanna join the taglist, just comment or send me a message!)

taglist: @inu1gf @pookalicious-hq @dontmindtheevie @wannabepoeticischiya

[missdynamighttt]

Hiii!! I was hoping if you could do an Angst abt Pro!katsuki who in one fight is against Villain!reader who was Katsukis friend/crush (u can choose!!) back in UA but Reader randomly stopped attending at school and this was their first encounter after reader left.

angst SCARES me, but this was fun!! im sorry if it took so long oml, i didn't know how to approach this at first because i am NOT a PURE angst writer, but i hope i did your request justice 💜💜

the alleyway was quiet, save for the distant echoes of sirens and the faint hum of the city. pro hero dynamight, katsuki bakugou, stood with fists clenched, his heart pounding in a way that had nothing to do with adrenaline from chasing someone.

before him stood a figure from his past—a person he never thought he'd see again, let alone face in such a casual yet tense setting. the villain before him wasn’t just any enemy. it was you.

you, who had disappeared from ua without a trace, leaving behind questions and a void that katsuki could never quite fill. back then, he'd brushed off his feelings, masking them behind his usual bravado.

but now, seeing you here, standing against him as an enemy, he can't believe that he's finally found you after all these years.

"so you decided to finally show your face after these years. what the fuck happened? where have you been?"

all katsuki felt was anger and frustration. he was pissed at you for leaving without a word and pissed at himself for not finding you. before he could see you like this.

"it's been a long time, huh?" you say with a dry chuckle. "i'm glad that you still remember me though, dynamight."

katsuki scoffs. "of course i remember you, idiot! you just decided to leave without a word, how could i forget you when you just vanished?"

you give a small scoff at hearing katsuki's comment, feeling the anger and tension slowly building. you cross your arms over your chest, not looking away from him.

"oh, so now you give a damn about me leaving. didn't think you'd care enough to even wonder why I just disappeared and left."

katsuki's eyes narrow at your response. he didn't like that you were acting all nonchalant about everything. as if this whole interaction didn't matter.

he takes a few steps forward, not taking his eyes off of you. he hadn't seen you in so long, he actually couldn't believe that you were right infront of him.

"don't give me that crap! you just disappearing like that without a word or any explanation, what the hell was i supposed to think?!"

you feel annoyed and somewhat defensive at Katsuki's reaction. You couldn't stand the fact that he was acting like he cared so much about you when you know he didn't care about you at all back then.

"oh please, you never even thought about me back then. you were too wrapped up in your own ego to even notice that i was gone. let's not play this little game where you pretend that you actually cared."

it was like a cold bucket of water had been splashed onto his face. katsuki clenched his teeth at your words, feeling the anger bubble up in him.

"believe it or not, dumbass, i care about what happened to you! more than you'd ever know... every damn day i thought about you, wondering if you were okay. i've never, ever stopped thinking about you."

you had no idea how much he cared about you, how much he even thought about you. hearing katsuki's confession hits you like a pile of bricks. you had always had feelings for him back then too, but you never had the courage to confess your feelings. he just couldn't keep his feelings bottled up anymore.

"damn it, i've always cared about you, idiot. i wanted to tell you everything back then, but i never got the chance to.

"hell, i even had dreams about you... dreams where i told you how i fuckin' felt... but before i could say anything, you just... vanished."

shock and disbelief flood you as you process katsuki's confession. you couldn't believe that after all this time, he was telling you how he felt. however,

when you remember the circumstances, a pang of regret hits you as you shake your head.

"goddamn it... why are you telling me this now? we can't just act upon our feelings now, not after all i've done."

"i don't care about that... my feelings for you haven't changed. just tell me what happened. why did you disappear? what happened?"

you let out another dry chuckle at Katsuki's determination. you shake your head with a sad smile on your face.

"it's kind of funny, you know. back then, i would've been over the moon to hear you say those things to me. if you had said that you had feelings for me... i would've been the happiest damn person in the world."

you take a deep breath, looking down at the ground.

"before i left school... i was going through a really rough time. i didn't know where i was going to go or what i was going to do. i... couldn't handle it. then i got mixed up with the wrong kind of people who treated me right and.. i'm here now."

katsuki's anger and frustration start to fade, replaced with a mixture of sadness and guilt.

"why... why didn't you reach out to me? to any of us? after all we've been through, we would've helped you. we could've been there for you."

you smile humorlessly, a mix of pain and shame in your eyes.

"you don't get it. i didn't want to be a burden. i didn't want to put my problems on you guys when had your own lives to worry about. i didn't want to add to that."

katsuki couldn't believe what he was hearing. He never thought that you would've felt like that, but... he wished that he had known what you were going through.

"we could've helped you through everything, damn it. we cared about you... i cared about you..."

you look at katsuki and feel a pang of sadness and despair. you couldn't believe that after all this time, he reciprocated your feelings. but it was too late. tou were too far gone to turn back now.

"i can't just leave and expect everything to go back to the way it was. there's no changing it."

"you can still change," katsuki argues, the hope in his eyes glowing with desperation. "you can still come back."

you shake your head feverishly, head too overwhelmed with thoughts to think straight. "i-i can't. its too late for that."

katsuki watches as you prepare to leave, helplessness coursing through him. he couldn't just let you go. not when he was finally seeing you again after all these years. he couldn't just lose you again.

"no... don't leave. please. don't just... walk out of my life again..."

"katsuki?"

his head snaps up to look at you.

"yes? what is it?"

you smile sadly at him.

"in another life, i would've really liked... just doing laundry and taxes with you."

[nickrocketrodriguez]

As part of a writer room, since it's a collective work, do you sometimes have to put aside your "real" self from your "writer" self? The wording is horrendous, but for example, when it comes to shipping, you like the trope of a certain ship and would like for them to happen, but as a writer you know that it wouldn't actually make sense for the characters? It just seems so hard to me to have dicern "good" ideas from selfish baseless wishes so I wonder how it's managed in a writer room.

Ooooh, a craft question! I love these.

So, basically, yeah, you DO have to set aside what you want from what is right for the story, because those are often not aligned. At the end of the day, if the Nublar Six were real people, I want them to all be happy and healthy and live conflict-free until forever. But that's not good story.

When you're in the room trying to tell the most interesting and meaningful/emotionally resonant story for these people, you can't do what you want with them -- you have to do what the story demands thematically. That's why we have writers rooms: we're constantly discussing not only what's cool, but what makes sense, both logically and emotionally. Thankfully for our room, we were all very aligned with what we thought the story was from the very beginning. There definitely some pitches I fought for that maybe weren't right for the show and we more based in what I wanted to have happen -- but that's part of the job. Discerning between ideas you like and ideas that make sense and ideas that make sense but are also surprising is a very tough muscle to work out, but that's all it is -- a muscle. That's why a good writers room will have long discussions about practically every choice to see if it actually works and means something for the story and the characters. It's also my favorite part of the process. And I like to think I only got better at this throughout our time in the room together, and that I'm continuing to get better at this on the new show I'm on.

Philosophically, I believe that, VERY often, what we want to see happen in stories are and what should happen in them are complete opposites. We don't necessarily want our favorite characters to be in conflict and find opposition -- but the problem is that without all of that, the characters don't shine their brightest or learn their lessons, and therefore neither does the audience. It's something that I wish chronically online fandoms would understand better so that they don't turn around and throw hate at people who are trying to tell good stories. Like, trust me, you don't want an entire episode where the characters just talk and laugh and have a fun little barbecue with their dinosaur friends. You'd be bored to fucking tears and your favorite characters wouldn't be people, they'd just be... I dunno, cardboard cutouts of the ideas of people.

Maybe it's not even about separating the two sides of yourself, but about acknowledging both sides within the scope that stories are not just a series of cool or nice events. Stories all come down to conflict, especially conflict between people, and the puzzle of writing a show is determining which conflicts mean the most and allow for emotional reactions and revelations, etc. If you're just watching the show for the dinosaurs (and I know some do), then you're missing out on all of the more important aspects of the story that was being told.

I think I got a little off-track there, but thanks for coming to my TEDTalk.

[crime-scene-psychic]

I honestly think that the Nolan Batman trilogy was the best and worst thing to happen to the Batman franchise, because on one hand, it was the first live-action instance of trying to make Batman more gritty and serious (because while the Keaton, Kilmer, Clooney movies took the story much more seriously than the 60s television show, they were still goofy at times, which is why I honestly think they're the best rendition of Batman, because they were able to balance silliness with seriousness, which is what Batman is all about, but that's obviously an entirely different thesis) which then allowed for more people to take comic book movies serious, consequently leading to the rise of the DCEU and, obviously, the MCU (we would not have the MCU today and the actual good movies that came out of it without Nolan's trilogy, there's simply no argument there).

However, the Nolan trilogy also unfortunately made "dark, gritty Batman" the norm, meaning that once anyone tries to actually have some fun with Batman, they immediately get shit on by comic book dude bros. It also created the most annoying characterization of the Joker that everyone has been trying to replicate since and no one will be able to replicate, because they simply do not understand the character (I honest to God think the closest live-action actor who has ever made a Joker character work besider Heath Ledger was Cameron Monaghan in the Gotham television show, and he wasn't even really Joker??? but at least he didn't make it everyone else's problem and was a good mix of goofy and psychotic, not just psychotic) and will never be Heath Ledger (but they don't stop trying much to my forever annoyment).

And while I can recognize the cultural and significant impact on the comic and film community that Nolan's trilogy had, it is still by far my least favorite adaptation because of how serious it takes itself (and of course, the racism. The racism is actually the bigger one for me. Fuck Christopher Nolan for that. Ra's al Ghul is NOT a white man just because you want a plot twist, and you CANNOT just erase Bane being mixed race because you fucking FEEL LIKE IT because him being mixed race is extremely relevant to his origin). Batman has had serious moments in the comics, don't get me wrong, and I know things must evolve and change over time and that I cannot expect an 80 year old character to not be further developed throughout the decades, but it almost feels as if Nolan and Goyer (the writer) read a Sparks Notes version of the history of Batman, cracked their knuckles, and said "yeah, I think I got it."

Spoiler alert: they did not get it.

When I watch the Nolan trilogy (which I haven't in quite some time and I really don't want to, even to prove a point to people on the Internet) I notice how uninspired it feels, story-wise. While the action and cinematography is excellent, the story is lacking for me, and when you're telling a story like Batman, that has decades of content, you cannot just forgo storytelling for cool special effects.

I'd much rather watch a Batman adaptation that has the shittiest effects known to man with a writer who whole-heartily cares for the characters they're writing and has taken time to research. And that's honestly one of the biggest problems the comic book film industry is having now, both DC and Marvel. They're not hiring people who actually care about these characters to write them and they're focusing much more at appealing to everyone they can instead of who the movies should be made for: fans.

You're gonna have such a harder time convincing my mom, a woman who only cares about Wonder Woman, to watch the new Captain America film than you would someone who has read the Sam Wilson Cap comic run. And while this entire issue stems from the fact that the film industry is just that, an industry, and has become less about filmmakers making art and more-so how much money investors and producers can get out of ticket sales, it is still infuriating to see franchises you care deeply about be ruined by guys just there to cash their paychecks and be done with it.

And really, the film industry as we know it needs to be fucking demolished from the inside out, but that will never happen and now we're a bit off-topic. So, back to Batman.

I think another issue I have with newer live-action Batman adaptations is that they choose to forgo a VERY IMPORTANT character when it comes to Batman/Bruce Wayne's evolution as a character and story line.

Robin.

Since whatever the fuck the casting of Chris O'Donnell in 1995 was (why was he, like, a grown man?), people have been afraid to touch a live-action Dick Grayson with a six-foot pole (besides Titans, which I'm gonna get to in a sec). Which is ridiculous, because he is, like I said, an insanely important character when it comes to showing the growth Bruce Wayne goes through.

Bruce Wayne becomes Batman because he is so angry about his parent's deaths and the corruption of Gotham that he doesn't know what else to do. All the money in the world cannot change things for the better, his own father tried and died for his troubles, and he is left with no other option. Bruce Wayne works during the day to fight corruption via charity and his company, Batman works during the night and is able to do what Bruce Wayne can't (beating the shit out of people, mainly). The two are separate sides of the same coin.

And despite this seeming like a good arrangement, it's pretty obvious in most adaptations (at least they get THAT right) that beating the shit out of people in back alleys is not a good replacement for therapy. You're able to see the toll being Batman has on Bruce. He quickly becomes more occupied with being a vigilante than being himself. Bruce needs something to break through this internal struggle and help him balance both lives.

And so a boy named Dick Grayson comes along.

Dick's so important (and so are the other Robins, of course, but Dick being the first means I have to talk about him a bit more) because he forced Bruce to get his shit together. Here's a boy who's about the same age Bruce was when his parents died, who also just saw his parents killed in front of him, and is so full of rage he has no idea what to do. Sounds familiar...

Bruce is able to help himself by helping Dick. He gives him an outlet to vent his anger and frustrations while also looking out for him in the best way he can. While there are many issues with how Robin comes to be in various comic runs (and if this was real life it would be fucking ridiculous) Dick becoming Robin is extremely important. If he hadn't been taken in by Bruce Wayne, if he'd been allowed to let that angry continue to bubble up inside of him, he probably would have killed Tony Zucco and that would have been enough to set Dick down a terrible path he might not recover from.

The same goes for Bruce. If he were to set out and kill the person who shot his parents, he wouldn't be a hero anymore because that single event would shatter the entire point of Batman, which is that he is not meant to decide who lives and dies. If he were, how would he be any different than all the villains in Gotham that he fights as Batman? How would he be better than the corrupt businessman and politicians that he has to battle as Bruce Wayne? He wouldn't.

Batman needs Robin and Robin needs Batman, because they are yin and yang. Light within darkness, darkness within light. You cannot separate these characters and still tell an accurate story, it's impossible. I think that's a huge issue Nolan's movies have, on top of many others. You cannot accurately present to me a Batman story if there is no Robin, just as you couldn't give me a Robin story without Batman.

Every Robin is so important to how Bruce Wayne as a character is developed, and disregarding this as a creator is not only disrespectful to the character, it misses the entire point. I refuse to take your adaptation of Batman seriously if you can't figure out how important Robin is. He isn't just some kid sidekick, he isn't an optional side character, he is what makes Batman human. You cannot have gritty, Neo-noir Batman and forgo Robin just because you see him as the sidekick in tights. When Batman was silly and took itself less seriously, sure, there wasn't a lot to Robin nor Batman's troubling pasts. But now that you want to deep dive into Bruce Wayne's psyche and pick apart what makes him the way he is you wanna throw in the towel and erase the part that humanizes him? Fuck. You.

You can't make a complex Bruce Wayne and take away parts that help audiences understand his complexities, that's fucking STUPID!

Titans, for all its faults and problems, will always have my gratitude as it had the fucking balls to give, without a doubt, the best and most rounded live-action adaptation of Dick Grayson we have ever seen. Titans introduces Dick at a very important and rocky time in his character arch: him leaving Bruce.

If you're not in the know, there's a falling out between Bruce and Dick that's been written a couple different ways over the years, but all comes down to Dick being "fired" from being Robin and leaving Gotham. This is a bit of a newer story line in comparison to how long the character of Dick Grayson has been around, and eventually leads to Dick becoming independent from Bruce, signalling his evolution from "side kick" to his own hero, Nightwing. However, there's issues with Dick having to give up the Robin mantel, because it's something that is whole-heartily Dick Grayson. Robin wasn't something Bruce Wayne came up with, it was the nickname his parents gave to him. Even the colors are his, those were the colors of the Flying Graysons' uniforms. Robin is much more than just a vigilante alter-ego to Dick, it is the last link he has to his past and his parents. So when this is taken away from him and given to another, this causes a huge internal struggle for Dick, as he has to deal with the anger he now has for Bruce, a man he originally looked up to and idolized. This is Dick seeing how wrong it was for Bruce to do some of the things he did to Dick, despite at the time those choices being what both needed.

The way Titans is able to portray this extremely delicate time in Dick's story line in a way that not only makes sense for his character, but also allows for growth is really admirable. Like I said, the show isn't perfect by any means (can I PLEASE get a Romani actor to play Dick PLEASE) but it's the first time I feel that the character is wholeheartedly taken serious in a live-action setting. You can tell the writers have a better idea about how the characters should interact in a live-action setting and while some choices are questionable to me, the heart is there.

Nolan's movies in comparison feel soulless and devoid of all creativity and love. He does not care about these characters, no matter how much he tries to make you think that, and he never will. Christopher Nolan, you will NEVER convince me that you give two shits about Bruce Wayne. And if you, the director, can't bother to care, why should the audience? Why should I care about your adaptation if you can't even be bothered to put an ounce of individuality into it?

With Matt Reeves' Batman films underway, things are getting worse again. For a while, we only had to deal with the shitty Joker adaptations that tried to replicate Ledger's Joker, but with the Reeves Batman movies, the film bros are making themselves known again. I remember when the new design for the Riddler dropped and I said it was shit and people on Twitter and YouTube got SO PISSY at me and told me I just don't understand Batman and that I'm childish for enjoying the designs for Gotham Riddler/ Batman Forever Riddler and whatever and that I'm stupid, which none of those things are true, I hate to be confident in anything, but I think I know more about Batman than you do, Twitter troll.

The suit sucked and the character sucked. They just created a new character but gave him the Riddler's name. That's NOT the Riddler. That's honestly closer to Hush than Riddler, so just... do that? But of course, less people know about Hush than Riddler, and you're not trying to make a film for fans, you're trying to make money, so why would you ever be so silly as to do that! I'm not gonna talk to much about the new Riddler, just because it's super old news and it's not the point I was trying to make here, it's just something that continues to piss me off when it comes to gritty recreations of characters, because Riddler really never was supposed to be some Zodiac Killer wannabe, he's supposed to be a guy who leaves you riddles and makes you solve them. And I'm not saying you can't do a more gritty Riddler, because Arkham Knights did it super well imo! Just don't reinvent the wheel! Don't just make a new character and call him by another's name, that's a disservice to the character themselves and their creators.

This is a hard topic, because you have people who get the point of these characters (people who have actually read a comic before and paid attention to the story) but you also have insufferable film/comic bros who worship the ground Nolan and Reeves walks upon and who don't even take time to explore the rest of the Batfamily comics (his gang of vigilante children show up in the stand-alone Batman comics, though, so I don't know how they're missing this, unless they have the reading comprehension of a goldfish, which they probably do tbh). It's why I think a lot of these weirdos don't like Gotham Knights or Wayne Family Adventures, because they hate the thought of their being any semblance of fun in the Batman franchise. Not everything needs to be doom and gloom! Let Dick Grayson be bisexual and let Bruce Wayne have a PTA rival! You can have your cake and eat it too!

I know this seems like a silly sentiment coming from a person who just wrote an entire essay on this, but maybe don't take Batman so seriously? I don't mean, of course, that you can't care about these characters, I'm actually saying the opposite! I care very deeply for these characters, so much that I obviously spat all this out. I just think some people need to fucking chill when it comes to realistically portraying Batman. There's nothing wrong with taking a more serious approach to the characters and I have no problem modernizing them, but you can't just have action hero Batman, you have to have the human behind the mask too. And if you can't balance that, then I'm sorry, but you shouldn't be making Batman adaptations, because you obviously don't understand what the character is about.

I'm nervous to see where Reeves will go with the character, and only time will tell. I've heard rumors he plans to introduce Robin, I've heard rumors he doesn't. Either way, it's obviously out of my hands and I'll have opinions either way, but I really hope he has a better understanding of the history of the franchise than Nolan. While I appreciate, again, what Nolan did for revolutionizing not only the Batman franchise but the comic movie industry as well, I can still find faults in how he went about things. I truly don't believe we can have a worthy adaptation of Batman live action without Robin and without embracing the silliness of Batman's villains and I really hope producers, writers, and directors realize that soon.

Sorry if you read all that...

[yourfellowhuman07]

Hello, my fellow Entrapdak shippers!

I am happy to say it is once again time for Entrapdak Positivity Month, a fandom event created by the always lovely @maireadralph, who works tirelessly to put on all the major events, zines, and is currently running the Entrapdak Community here on Tumblr.

Now, like last year, I have decided to make another Ask Game for those who don't plan on drawing or writing anything but still wish to participate in the event this year.

The game is simple, just open your Ask Box and reblog this post so fellow shippers can ask you one of the questions I have written for this year. I will also link the Ask Game from last year if anyone wants to answer those (I know I'm willing).

Now without further ado, the questions:

What were Entrapta and Hordak’s first impressions of each other?

Who fell first, and who fell harder?

When and what made them realize their feelings for each other?

Who proposed first and how did they do it?

What’s the first Human/Our World AU that comes to mind when it involves Entrapdak?

What is the worst take on Entrapdak you’ve ever seen/heard?

What part(s) of their relationship made you fall in love with the ship?

How long have you been shipping them for?

Which of Hordak’s various designs throughout the series is your favorite (Season 1/2, Season 3/4, Season 5, or the flashback design in the finale)?

What is one thing they don’t like about each other that they can look past?

What is an interest/hobby they each have that you have no evidence for, but you know in your heart they love?

What is a weird crack headcanon you think about for fun?

What would happen if Entrapta joined the Horde before she was offered to join the Alliance?

What does Hordak wear now that he is out of the Galactic Horde?

What kinds of movies/TV shows/books do you think they like?

If you have/hypothetically had a playlist for them as individuals and/or as a couple, what is/would be on it?

For my writers and imaginers, what is an old story idea you had about or involving Entrapdak that you abandoned?

What was Hordak’s reaction when he met Wrong Hordak?

In your mind, what happened to Entrapta’s parents?

What was (x character)’s reaction to finding out Entrapdak was a thing?

How long did it take for Entrapta and Hordak to get into a relationship after season 5?

Who’s the most likely to tell the other about their feelings first?

How do you think Entrapta’s hair works (Robotics, Genetics, Magic, etc.)?

 What type of music would they listen to?

Who’s bringing the stray animal they found on the street home?

What do they find the most attractive about each other (besides their mutual intelligence)?

 What, in your mind, is Hordak’s punishment, and how does he feel about it?

 Could you tell me about any potential kids they might have?

 What’s something random you wanted to talk about regarding Entrapdak?

Your own SFW question?

And for those who would like to use it, Last Year's Ask Game:

[daresplaining]

Hey Dare! I have been thinking about Elektra and Natasha with Matt and how similar they are. To me, they both seem to be characters that feel forced to be 'good' but know they can't be because the world isn't black and white (for example, Elektra not being allowed into the Chaste for being impure, so she becomes an assassin, Natasha being a spy but not a hero). In what ways do you think these characters are different from one another? And does Matt play a unique role in each of their lives?

I love "Dare"; thank you for that! And I'm sorry it's taken me so long to answer this.

It's really compelling to look at the parallels between Natasha and Elektra, because you're right, they have a lot in common--mainly, that they are both in professions that require a deep cynicism, a healthy emotional distance, and a very specific moral compass. They are good people molded into hard people by life, who have become very good at doing some very unpleasant things, and have found ways to live with that. I think Natasha leans far more into the realm of the term "hero"-- she has served on superhero teams and been in the public eye in that capacity, her partnership with Matt certainly placed her in the role of a superhero more than a spy, and if you were to shop for superhero merch in the Marvel universe...I'd say Black Widow would be about 90% more likely to show up on a t-shirt than Elektra. However, she is still very much a spy, with a spy's pragmatism that doesn't always align with the heroic, and she holds no illusions about who and what she is. A while back I wrote a post about one of my favorite Black Widow stories, "Breakdown", which is all about the moral distinctions between being a spy and being a superhero.

However, Natasha seems to be able to hop back and forth across that line, carrying out top-secret missions and maintaining her status as a world-class spy while also beating up supervillains alongside her superhero friends. Her goal is to do good in the world, and she is able to do so in both of these roles--largely because some Black Widow writers want to write spy stories, and others want to write her swinging across rooftops and kicking Stilt-Man in the face, and one of the fun and unique things about her character is that she can encompass both of those genres so well.

Elektra, however, is an assassin, full stop. We have the by now (I hope) classic line from the first issue of the Blackman/Del Mundo run:

"I have often tried to be something more. At nine, I dreamt of being a ballerina. But that required a form of balance I did not possess. At nineteen, I secretly studied figure painting behind my father's back. But I could never see past the models' skin and muscle. All my classes ended with half-naked canvases marred by twisted limbs and slack faces. I have even played at being a hero. But I could not bear how foolish I felt every time I spared someone who was determined to kill me. I am not a dancer, or an artist, or a hero. I am no longer a daughter or a lover...victim or student or slave. I am, and I will always be...someone's assassin."

I would suggest that this line is not fully reflective of the truth of Elektra's childhood, but is instead a fatalistic look back from her current state of mind, since it suggests the idea that she was always fated to be an assassin, which is (at least in her original origin story, which I am stubbornly clinging to for now) simply not true. Elektra was a good, hopeful, kind person backed into a terrible corner, who became very, very good at killing for money because it was the only path that seemed to be left for her after the death of her father, after her rejection by the Chaste, and after her disastrously failed attempt at taking down the Hand from the inside, which led to her killing the only mentor figure she had left and leaving her alone in the world. Elektra does not like what she is, but she is confident in what she is and she takes a certain pride in being the best there is at what she does (sorry, Wolverine). Her tragedy is, to me, far greater than Natasha's because Elektra is so often alone. In her early appearances, Natasha thought she was cursed because so many of the men she loved died, and she does experience isolation that I absolutely do not want to downplay, but just based on my reading experience, Elektra's is more painful and has continued on for far longer. She sees her world as cold and dark and drenched in blood, and the times she has tried to change that, she has failed spectacularly. All she can do is look for glimpses of light and warmth-- her rose-tinted memories of her time with Matt in college and the opportunities she has, when she allows it and when he allows it, to see him again in the present; her deep, powerful bond with Wolverine, in whom she sees so much of herself; the brief other relationships she allows herself, romantic or otherwise... Elektra has shown a tendency, over the years, of encountering and protecting young women and girls, which I think is a really nice trend, though it doesn't always end well.

Matt is a happy memory for both of them. For Elektra, the last time she was truly happy in life was that last semester in college before her father's death, and the time she spent with Matt was a part of that. She thinks of that period fondly, and her love for Matt is something that she holds close and cherishes, no matter what else has happened since. He reminds her of a better time, and while she has her own life now, she still keeps an eye on him. They've tried to get back together a few times, but it's never worked. Everything is different now. For Natasha, Matt is a reliable friend and ally, someone she can always go to. There is a strong physical attraction between them that lingers, and on various occasions, Natasha has dropped back into his life with the intention of rekindling their romance. However, it's never worked for her either (usually because Matt is dating somebody else), and that is probably for the best. While they look fondly back on their partnership, which was a romantic and exciting time for them, it was also very messy. Matt's ego struggled with dating a fellow superhero, and Natasha hated that Matt tended to undervalue her skills. Following their break-up, which was mutual and remarkably drama-free, they have remained good friends who would do just about anything for each other.

Thanks for the great question!

[zoot-marimba]

After Post-COVID, we can very safely say that Thomas is Craig's biological father, the two look way too much alike for that not to be the case.

I will say that I initially figured Laura Tucker dyes her hair blonde, but then I remembered that Tricia's hair color is strawberry blonde-a hair color that usually comes from having one red haired parent and one blonde parent. Therefore, it seems fairly certain that Laura is a natural blonde, and we can obviously say that Tricia is definitely Thomas and Laura's kid by blood.

However, going back to Post-COVID, it is worth noting that while Craig is a dead ringer for Thomas at that age, there's nothing you can really point to as coming from his mother. Contrast that with Tweek, who has characteristics in common with both of his parents.

I will say that at least in the Dandyverse, I do lean towards Craig coming from a previous relationship of Thomas', with her and Thomas having separate some time after Craig's birth and that she later died. Besides the aforementioned details regarding Adult Craig's resemblance to either parent, there's a few other factors that went into the decision to go this route:

1. It could explain Craig's ties to Incan and Peruvian culture. Yes, that was likely meant to poke fun at the White Savior trope, but Mr. Kim was also initially meant to simply be a satirical take on Asian stereotypes prior to the big reveal with him.

2. It would certainly explain a lot about Thomas and Craig's relationship. The thing that I feel a lot of people miss and particularly fanfic writers miss when writing Thomas is that he isn't this mean or abusive asshole. If anything, he's arguably among the more nuanced parents on the show, certainly in terms of how he fits into the "good" or "bad" categories of parenting. As shown in "Tweek x Craig", Thomas very much does love his son, but he also clearly struggles in opening up emotionally (which might be the biggest thing he and his son have in common).

3. It could also add some context to Craig's behavior in the early seasons. In those seasons, Craig was known as the kid who was constantly getting into trouble, almost always just outside of either Principal Victoria's office or Mr. Mackey's. That's literally why he was singled out as being one of the kids set up to fight in "Tweek vs Craig". While a lot of it did come from Craig's struggles to deal with his emotions in a healthy or productive way, the loss of his birth mother could easily have served as the last straw in this regard. It also could explain Craig gradually mellowing out once the kids entered fourth grade as by then, enough time had passed.

4. Even though this post is meant to be about Craig's family and his relationship with his parents, I can even see this adding a fair bit to his and Clyde's relationship. While they were already friends beforehand (not hurt by having grown up on the same block), I can easily see Clyde turning to Craig for support after his own mother's death. Other than maybe Cartman (and even Clyde isn't stupid enough to turn to CARTMAN for emotional support), Craig is about the only other kid that Clyde knows that could possibly understand what it's like. Likewise, Craig can also open up to Clyde in a way that he struggles to with his dad (and can't really do with Tricia since Thomas's ex wasn't her mom), so he too would probably find it cathartic.

So yeah. That's all I've got to say about that.

Actually, putting this in a post in case the blog page ever disappears

[broken image was the thumbnail for The Magic Bush as it appeared on Hulu at the time]

and the best part, linking to the now defunct forums page that I didn't archive when we were saving pages last year :))))) Source

[dreadfutures]

Tevinter Nights: dramatic summaries

Back in March I decided to read a story from Tevinter Nights out loud to the DA FanFic server every Monday night. I figured with the number of stories, we'd hit August right as we finished - hopefully it'll be a big month for us fans!

I just love this anthology so much - there are many gems and entertaining bits among them, and they're criminally underrated. A lot of the DA side content is hit or miss for a lot of people, but seriously, some of these short stories could be published on their own without any knowledge of Thedas and still entertain!!

Here are the summaries I wrote ahead of each reading. :) All of the TN short stories are independent of each other, so take a look and perhaps you will find one you enjoy. I tried to keep them largely spoiler free :)

Also, check out @larkoneironaut 's Tevinter Nights art project! They're enjoyable in their own way :)

Three Trees to Midnight, by Patrick Weekes

After the Qunari take Ventus, prisoners are put to work chopping wood on the outskirts of Arlathan Forest. Myrion, a human mage, and Strife, a city elf who joined the Dalish, are shackled together at the ankle as a work pair. While their relationship starts antagonistic, they are quickly forced to work together to escape. This thrilling adventure is one of our first looks into the mysteries of Arlathan Forest, and the Antaam’s advance south—despite the rifts forming in the Qun’s ranks. Notably, Strife and his companion Irelin appear in another short story, Ruins of Reality, and Dragon Age: The Missing.

Down Among the Dead Men by Sylvia Feketekuty

We finally see Nevarra in this tale, and what better place to start than in the Grand Necropolis itself? Audric Felhausen, our POV character, is a city guard who is tasked with protecting a Mortalitasi mage during an investigation about some restless undead in the bowels of the Necropolis. We see how spirits and demons wander, and get stuck, in the bodies kept there -- and how possessing a body, even a long-dead one, can have significant effects on the spirit. On both a cultural and metaphysical level, this story gives us a TON of lore. And Audric, our hero, is equally curious and unsettled by what he learns. By the end you'll see why so many people are desperate for him to be a companion in DA4!

The Horror of Hormak by John Epler

Do you love Wardens? Do you miss the dark fantasy elements of Origins? Do you like the aesthetic of Dark Souls, with giant stone doors you push open with all your might to reveal a giant boss? That's the vibe that John Epler (DA4 Creative Director!) brings to this story. Wardens Ramesh and Lesha are tracking down a group of missing Wardens in Nevarra--a group, it turns out, that does not want to be found. For better or worse, Ramesh and Lesha plunge into the darkness and discover a horrifying truth with massive implications for the ancient history of Thedas... and the Evil Gods about to wake in DA4!

Callback by Lukas Kristjanson

Follow Sutherland and his crew of honorable adventurers back to where they began: Skyhold. Now defended and empty but for a handful of Chantry chosen caretakers, the fortress that once housed the Inquisition has gone dark, and Sutherland is tapped to investigate. We see Skyhold and by proxy the Inquisition itself from the perspective of one of the little guys, drawn to it because of ideals and encouraged to become their best selves. In doing so, we also see how the events of this world can shape Spirits in unexpected ways, with consequences for a world where the Veil is thin. Callback is full of callbacks and cameos from a surprising group from DAI, and an entertaining and perilous mini adventure in its own right. This is a love letter to Skyhold, to the Inquisition, and a meaningful counterpart to the memories of Skyhold kept in its frescos.

Luck in the Gardens by Sylvia Feketekuty

Hear a tale of glory and daring straight from a Lord of Fortune themself! A genderfluid, disguise-wearing, acrobat-turned-swashbuckler regales us with an adventure from the streets of Minrathous. Spy on secret meetings between Magisters, learn what the Venatori have been doing since Corypheus' defeat, and tremble in the face of things "past the Veil of our world," neither demon nor spirit. Who are the Lords of Fortune from Rivain? What lurks beneath Tevinter's streets? This may be the story that inspired many people's wishlist for the next Archon and the next Black Divine -- some beloved, familiar faces join our hero to face the terror in the gardens!

Content Warning: Body horror, Eldritch horror, mentions of Tevinter slavery

Hunger by Brianne Battye

Tevinter Nights returns to Warden business in Hunger -- or does it? Evka Ivo, a heroic warden, and her junior recruit Antoine, have to decide what counts as Warden business when there's not a Blight ongoing. As they make their way to Weisshaupt to answer their summons, they decide to make a small detour to help a village in need. Evka and Antoine are our beloved dwarf/elf romantics who feature in a DA Day short story - as well as in the DA4 lead-in comic, The Missing! Whether they may be companions or contacts to our protagonist remains to be seen, but surely they'll make an appearance after such tales of heroism and compassion!

Murder by Death Mages by Caitlin Sullivan Kelly

We return again to Nevarra from a different angle this time! An agent of the Inquisition, the multiplayer necromancer Sidony, is sent back to the home country she resents in pursuit of a killer. We learn not only about Sidony's past, but about the political landscape of Nevarra: do the Mortalitasi run the country as shadowy puppet masters? What do the common people, and the nobility, think of the death mages from the Necropolis? How are Mortalitasi trained? And what does necromancy look and feel like to the characters in Thedas? In this tale of alleyway chases and gossip-filled balls, we get another glimpse into a country we may very well visit in DA4!

The Streets of Minrathous by Brianne Battye

We return to Minrathous to learn what's become of the Venatori since Corypheus's defeat. Join Neve Gallus, special investigator (and important cameo in The Missing comic), as she navigates the alleyways of Tevinter's great city in search of a murderer. Through her eyes, we see how less-privileged mages are viewed, and how the law bends to the whims of the rich and magical in Tevinter. Neve is joined by Tevinter Templars in her investigation, and their final battle is certainly eye-opening for anyone interested in fighting mages... What lies beneath the Streets of Minrathous, if not the Cekorax? Well, you're about to find out.

The Wigmaker Job by Courtney Woods

Lucanis Dellamorte, Master Assassin (and rumored heir to the First Talon) of the Antivan Crows, prowls the secret passages and unsuspecting rooftops of Tevinter with his cousin Illario on a contract. The target? A member of the Venatori with a... peculiar hobby. From shady hotel rooms to a grand gala and fashion show, get a look at the best of the Crows doing what Crows do best. This is one of the best stories in Tevinter Nights by far.

Content Warnings: abuse of slaves, body horror, torture, gore, hair eating, lots of pretty gruesome (if cathartic) assasination, and possession

Genitivi Dies In The End by Lucas Kristjanson

The remnants of the Inquisition approach a new group of adventurers and task them with finding the secrets of Fen'Harel. The Antaam - or at least, part of it - give chase. And Genitivi Dies in the End.

Herold Had the Plan by Ryan Cormier

Our Lords of Fortune are on the run as a mission to steal an ancient amulet goes awry. They have the amulet, they have their daring escape (a Lord of Fortune knows no other kind, of course) -- but Herold had the plan for what to do with the damn thing, and Herold is gone. As Starkhaven guards give chase, only one Lord of Fortune will survive the night. But will he make it to the mysterious Squire who hired them in the first place? Join us for an adventure that will break your heart and keep you on the edge of your seat.

An Old Crow's Old Tricks by Arone Le Bray

Tevinter has sent their finest centuri to defend the shores of the Nocen Sea from potential Qunari invaders. They stake their claim on the area and set up camp, enjoying the esteem of being the proud defenders of Tevinter. But it's not the Qunari this group of soldiers should fear.

CW: blatant racism against dalish, off screen massacre of a Dalish clan, many gruesome cathartic assassinations described in some detail, hand trauma

Eight Little Talons by Courtney Woods

Antiva's crown is weak. Antiva has no army. And the Qun is at its doorstep. Antiva's Crows may be the country's only defense, but they must act fast. Caterina Dellamorte, the fearsome leader of the Crows, calls all Eight Talons to meet in secret and solitude to discuss and prepare for the threat at Antiva's borders. But perhaps they should begin by looking for threats at home. All Crows are assassins. But only one is a murderer.

Half Up Front by John Epler

A former altus who chose to be disowned into poverty to be with her elven lover takes the job of a lifetime: steal a precious, powerful, magical artifact from the Archon's Palace itself. It was never going to be easy, but the former Altus Vadis couldn't have predicted that a Minrathous heist would bring her all the way to a port in Rivain, loyal to the Qun. What at first glance seems like a classic cat burgling caper actually might tell us a lot about the forces at play in Thedas—how perhaps the people on the ground may or may not be following orders.

Dread Wolf Take You by Trick Weekes

[waspgrave]

it's the dragon age autism at work but i'm disliking playing the crows literally just because I think they should be shitty bc when you think about it, they are still kind of shitty. When i saw they were going to be a faction in this game i thought 'ohhh hell yeah that's the Stinker Faction' but they're like, good guys....i wanted them to suck :(

I can at least kind of understand why the Lords of Fortune are good guy pirates thanks to Isabela's antics in kirkwall but even then just knowing there was potential for morally gray factions is chipping away 1hp from my healthbar every time i think about it

[puppet-purgatory]

so let me get this straight, watcher:

An unknown party is planting VHS tapes on your own set weekly, containing ad reads by:

a self-proclaimed professor

who mentions unfortunate encounters with horses

who has an 'estranged wife'

whose jacket is tan and tie and red

who is a 'gamer'

whose image flickered in like a hologram in an earlier ad read,

and you want us to just like, not think Something Smells Fishy. OK...

[local-limebug]

jason todd has so many underrated canon love interests. essence, isabel, artemis, and rose are all characters i love with him. like those are good ships. why is everyone ignoring them?

[mantisgodsdomain]

Anyways, to those who have been wondering what we've been doing during our impromptu Tumblr Vacation or whatever we're calling it, we've been trying to find a playthrough of Baldur's Gate 3 that is made by someone who doesn't annoy the shit out of us, and also tormenting Karlach Cliffgate (as you do)

[rin-the-shadow]

So I know Penguin was probably just making a crack and didn't actually think Batgirl was Batman's little sister, but tbh it could potentially be a good secret identity diversion for both of them if they played into that assumption. Let everyone think Batman's got a kid sister he's finally decided to let tag along on missions, and then pretty much nobody would be looking at Bruce Wayne and Barbara Gordon as potential suspects, since neither one has any siblings.

[thousand-winters]

Okay, yeah, I'm not 100% settled on that because it just feels wrong, but I think I might quit Dadrius week for real and just. Not write the rest of the prompts.

I was thinking about how I was regretting not having written an angsty prompt for day 2 because I know people like angsty prompts more but the friends I consulted like the fluffy one more and I did want to write fluff so I was happy with that, but then the whole time I've been worried about not having enough angst in my prompts for people to want to really read my stuff and... idk, man. That's just off. I used to write things because I thought they were fun, not because I was agonizing over if people would read them or not, you know? Literally my first Dadrius fic was just me going "oh, my god, I want to write this so bad" and coincidentially it did get a lot of attention but at the time I was just SO excited about the idea and the composition the fic would have and that was literally it. I wasn't thinking about anything else, I was just having fun.

And I guess it's because in the past, when I wrote fics for this fandom, people did interact with me and I liked that, it was fun to talk to people about these things and whatever. And I don't get that anymore, which is fine, of course, I'm not entitled to anybody's time, but it's just not fun anymore. It feels like I'm just throwing empty words out there and it's so... boring. Like I don't know, maybe my writing just sucks, maybe it doesn't. My friends are very sweet and do seem to like it but you know, they do like me, so things I do they might see with sweeter eyes.

Idk, man. I just feel like I've been doing so many things for so long that haven't been for myself but for what it feels like it's expected of me and that's all. And it sucks even more because literally nobody expects this of me, I'm not fulfilling anybody's expectations, I'm just stressing myself out for nothing.

So idk. It might be good to just NOT.

[pa-pa-plasma]

okay i just marathoned the entirety of ATLA live action & i might do an actual review of it explaining my thoughts more in depth, but the TLDR version basically boils down to this:

if you want to watch Avatar: The Last Airbender, just go watch the 2005 cartoon

[kirkwallguy]

reading tevinter nights veeeeery slowly. it's definitely miles better than the stolen throne.